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“... which include the problems of capital flight and tax evasion. In Capitalism’s Achilles Heel, Raymond Baker probably errs on the conservative side in his estimate that the flows of dirty money from poorer countries into offshore accounts managed by Western banks are currently $500 billion annually. Corruption, which attracted so much media attention ...”

“... Raymond Carver was much taken with the idea that every writer creates a distinctive world: ‘Every great or even very good writer makes the world over according to his own specifications … It is his world and no other.’ The idea is hardly original but one sees why he liked it. Carver’s world is something like a room in which the television is always on, unless you happen to be subjecting the neighbours to home movies ...”

“... books are by American writers. ‘The Train’ is one of the shortest of the 12 stories in Raymond Carver’s Cathedral. It begins: ‘The woman was called Miss Dent, and earlier that evening she’d held a gun at a man. She’d made him get down in the dirt and plead for his life.’ We learn nothing more about Miss Dent, except that now in the small ...”

“... in his lifetime is widely accepted, though the basis for it is elusive – the only source Phil Baker cites in his exhaustive biography is Wheatley’s own memoirs, and Wheatley was a relentless self-aggrandiser; but it sounds about right. In the mid-1960s, three decades into his career, he had 55 books in print, which collectively accounted for one seventh ...”

“... A film clip from the mid-1920s of Josephine Baker dancing, looking as pleased as any extrovert four-year-old to be showing what she can do with her feather skirt and pretty body, is the happiest thing in the V&A Art Deco exhibition. She jokes with you. She has fun.Other good things in the exhibition suggest, as her act does, that the right style can make good times better – whether on a streamlined train, an ocean liner or in a glitzy nightclub ...”

“... the landladies who wanted to keep house for him when he retired, the tourists who came to Baker Street looking for his lodgings: these are more than mythical, they are legendary. And addicts who know he’s fictive pretend that they don’t. There’s a whole archive of mock research in pseudo-academic publications dedicated to his life and work. In ...”

“... from William Hartnell (1963-66) to Patrick Troughton (1966-69), to Jon Pertwee (1970-74), to Tom Baker (1974-82). Baker is the one everyone remembers, for demographic reasons and because he did it longest, but also because he did it best, animating a Doctor who, as Newman says, ‘thought and felt too fast for any other ...”

“... losing grip and my attention. Off to bed. Wednesday 9: Collapse of Geneva Peace talks. James Baker and Bush are determined to teach Saddam Hussein ‘a terrible lesson’. Alan Jenkins of TLS rang up at 7.15 p.m. to suggest I write article on two exhibitions in London next month: Man Ray photos at Barbican, Max Ernst at Tate. Thursday 10: Ron Stocker to ...”

“... an undistinguished career at Concrete High in Concrete, Washington, smack in the heart of Raymond Carver country). On the penultimate page of the book, he enlists in the Army, eager to embrace ‘the clear life of uniforms and ranks and weapons. It seemed to me when I got there that this was where I had been going all along, and where I might still ...”

“... and a couple of tins of beer.’ One remembers the bag of ginger biscuits Hannay bought from a baker’s van in The Thirty-Nine Steps. But mainly it’s a sense of the past that gives this story an extra dimension and makes the Wordsworth quotation sit comfortably in place. It’s true that the main reference back is to more violence, a long-range desert ...”

“... You remember that village where the border ran Down the middle of the street, With the butcher and baker in different states? Today he remarked how a shower of rain Had stopped so cleanly across Golightly’s lane It might have been a wall of glass That had toppled over. He stood there for ages To wonder which side, if any, he should be on. The point of the ...”

“... Moorcock in the days when he was dragged along to BNP-type meetings by his editor, W. Howard Baker, ‘just for the beer’; and before he chucked his typewriter out of the office window and resigned, bunking off to a life of three-day novellas, quick money and lightning debts. Dissolve and fast-forward: now it’s an age of smooth men, of judgments ...”

“... to maintain connections with a broader liberal tradition, including, in his native France, Raymond Aron and Jean-François Revel, for whom Tocqueville’s oeuvre was the sole haven of grace and trust within a canon of modern political philosophy whose prescriptions – from right as much as left – seemed to lead to mass extermination or ...”

“... as well as suspicion, and it flows more towards June than Lydia. In an echo and inversion of Raymond Carver’s story ‘A Small, Good Thing’, where a baker wanting to be paid for a special cake pesters the parents of a child who has been knocked down by a car before his birthday party, the caterer providing a cake ...”

“... Land, reveal a rhythm rather than imposing one. Perhaps only Gordon Lish’s transformations of Raymond Carver’s stories impose rhythm in that way. Meadow’s first film, Portrait of Deke, made in 1987, didn’t really come together, didn’t acquire its tone or form until the editing stage. At high school, inspired by Andy Warhol’s screen tests, she ...”